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Goldfrapp - Seventh Tree MP3 Herunterladen

Goldfrapp - Seventh Tree MP3 Herunterladen Artist: Goldfrapp
Album: Seventh Tree
Stil: Folk Rock, Alternative Rock, Downtempo, Acoustic
Kategorie: Elektro-Musik / Rockmusik / Popmusik
Datum der Freigabe: 2008
Land: US
Etikett: Mute
Katalognummer: 9381-2, 724596938126
Größe MP3: 2869 mb
Größe FLAC: 1425 mb
Bewertung: 4.9

Trackliste

1Some People
Bass – Justin Meldal-JohnsenDrums – Denny Weston, Jr.
4:40
2Cologne Cerrone Houdini
Acoustic Guitar – Alex Lee Bass – Tony HofferKeyboards [Keys] – Aidan Love
4:26
3Eat Yourself
Electric Guitar, Bass – Alex Lee
4:06
4Clowns
Acoustic Guitar – Alex Lee , Andrew Murphy, Kit Morgan
4:08
5Little Bird
Drums – Damon ReeceGuitar [Nashville] – Alex Lee
4:25
6Road To Somewhere
Harp [Sample] – Ruth Wall
3:52
7Caravan Girl
Acoustic Guitar – Alex Lee Bass [Fuzz], Guitar [Fuzz] – Adrian UtleyBass [Twang] – Charlie JonesDrum Programming [Samples] – Chris GoulstoneDrums – Damon ReeceKeyboards [Keys] – Flood
4:05
8Happiness
Drums, Percussion – Damon ReeceGuitar [Indian] – Simon RogersKeyboards [Keys] – Flood
4:17
9Monster Love
Guitar – Chris Goulstone, Richard Evans
4:23
10A&E
Acoustic Guitar – Steve EvansBass – Justin Meldal-JohnsenDrums – Denny Weston, Jr.Guitar, Keyboards [Keys] – FloodHarp [Sample] – Ruth Wall
3:18

Versionen

CategoryArtistTitle (Format)LabelCategoryCountryYear
CDSTUMM280, 5099951830021Goldfrapp Seventh Tree ‎(CD, Album)Mute, MuteCDSTUMM280, 5099951830021Europe2008
VKPD-0585, CDSTUMM 280Goldfrapp Seventh Tree ‎(CD, Album)Mute, MuteVKPD-0585, CDSTUMM 280South Korea2008
CDSTUMM 280Goldfrapp Seventh Tree ‎(CD, Album)MuteCDSTUMM 280Argentina2008
CDSTUMM280, 5099951830021Goldfrapp Seventh Tree ‎(CD, Album)Mute, MuteCDSTUMM280, 5099951830021UK & Europe2008
LCDSTUMM280Goldfrapp Seventh Tree ‎(CD, Album + DVD, NTSC + Dlx)MuteLCDSTUMM280Europe2008

Credits

  • Art DirectionCathy Edwards
  • Art Direction [At Big Active]Alison, Mat Maitland
  • Artwork [Owl Drawing]Alison
  • BassCharlie Jones (tracks: 2, 3, 8 ,10)
  • CelloCathy Giles (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Worsey (tracks: 1, 2, 4, 5, 6, 8, 10), David Daniels (tracks: 1, 2, 4, 5, 6, 8, 10), Melissa Phelps (tracks: 1, 2, 4, 5, 6, 8, 10), Paul Kegg (tracks: 1, 2, 4, 5, 6, 8, 10), Robin Firman (tracks: 1, 2, 4, 5, 6, 8, 10)
  • ChoirMetro Voices (tracks: 3, 5, 9)
  • Choir [The Metro Voice Choir]Eliza Lumley (tracks: 3, 5, 9), Jenny O'Grady (tracks: 3, 5, 9), Rachel Weston (tracks: 3, 5, 9), Sam Burkey (tracks: 3, 5, 9), Samantha Shaw (tracks: 3, 5, 9), Sarah Eyden (tracks: 3, 5, 9), Tom Pearce (tracks: 3, 5, 9), Yona Dunsford (tracks: 3, 5, 9)
  • Chorus Master [Choir Master Of The Metro Voice Choir]Jenny O'Grady (tracks: 3, 5, 9)
  • Co-producerFlood (tracks: 3, 5, 6, 7, 9)
  • Contractor [Strings Assisted By]Leila Stacey
  • Contractor [Strings]Isobel Griffiths
  • DesignMat Maitland
  • Double BassMary Scully (tracks: 1, 2, 4, 5, 6, 8, 10), Paddy Lannigan (tracks: 1, 2, 4, 5, 6, 8, 10)
  • Drum Programming [Additional]Max Dingel (tracks: 8), Nick Barr (tracks: 4, 7)
  • Engineer [Additional], Recorded By [Additional]Tim Oliver
  • Engineer [Overdubs]Bill Mims (tracks: 6, 7, 9), Tony Hoffer (tracks: 6, 7, 9)
  • Leader [Strings]Everton Nelson
  • ManagementMidnight To Six Management
  • Mastered ByStephen Marcussen
  • Mixed ByGoldfrapp (tracks: 8), Flood (tracks: 7), Tony Hoffer (tracks: 1 to 6, 9, 10)
  • Mixed By [Additional Stems Mixing]Flood (tracks: 9)
  • Mixed By [Additional]Bill Mims
  • Orchestrated By, Conductor [Strings]Nick Ingman
  • Photography BySerge Leblon
  • Producer [Additional]Flood (tracks: 1,2, 4, 8, 10)
  • Producer, Recorded ByGoldfrapp
  • Programmed By [Additional]Aidan Love (tracks: 2, 8, 10)
  • Recorded By [Strings Assisted By]Stephen Marshall
  • Recorded By [Strings]Jonathan Allen
  • ViolaAndy Parker (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Pitsilides (tracks: 1, 2, 4, 5, 6, 8, 10), Jon Thorne (tracks: 1, 2, 4, 5, 6, 8, 10), Katie Wilkinson (tracks: 1, 2, 4, 5, 6, 8, 10), Peter Lale (tracks: 1, 2, 4, 5, 6, 8, 10)
  • ViolinAlexander Balenescu (tracks: 1, 2, 4, 5, 6, 8, 10), Ann Morfee (tracks: 1, 2, 4, 5, 6, 8, 10), Boguslaw Kostecki (tracks: 1, 2, 4, 5, 6, 8, 10), Cathy Thompson (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Clad (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Tombling (tracks: 1, 2, 4, 5, 6, 8, 10), Debbie Widdup (tracks: 1, 2, 4, 5, 6, 8, 10), Dermot Crehan (tracks: 1, 2, 4, 5, 6, 8, 10), Everton Nelson (tracks: 1, 2, 4, 5, 6, 8, 10), Jackie Shave (tracks: 1, 2, 4, 5, 6, 8, 10), Jonathan Rees (tracks: 1, 2, 4, 5, 6, 8, 10), Mark Berrow (tracks: 1, 2, 4, 5, 6, 8, 10), Patrick Kiernan (tracks: 1, 2, 4, 5, 6, 8, 10), Sonia Slany (tracks: 1, 2, 4, 5, 6, 8, 10), Stephen Morris (tracks: 1, 2, 4, 5, 6, 8, 10), Tom Pigott-Smith (tracks: 1, 2, 4, 5, 6, 8, 10)
  • Written-ByGoldfrapp, Gregory
  • Art DirectionCathy Edwards
  • Art Direction [At Big Active]Alison, Mat Maitland
  • Artwork [Owl Drawing]Alison
  • BassCharlie Jones (tracks: 2, 3, 8 ,10)
  • CelloCathy Giles (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Worsey (tracks: 1, 2, 4, 5, 6, 8, 10), David Daniels (tracks: 1, 2, 4, 5, 6, 8, 10), Melissa Phelps (tracks: 1, 2, 4, 5, 6, 8, 10), Paul Kegg (tracks: 1, 2, 4, 5, 6, 8, 10), Robin Firman (tracks: 1, 2, 4, 5, 6, 8, 10)
  • ChoirMetro Voices (tracks: 3, 5, 9)
  • Choir [The Metro Voice Choir]Eliza Lumley (tracks: 3, 5, 9), Jenny O'Grady (tracks: 3, 5, 9), Rachel Weston (tracks: 3, 5, 9), Sam Burkey (tracks: 3, 5, 9), Samantha Shaw (tracks: 3, 5, 9), Sarah Eyden (tracks: 3, 5, 9), Tom Pearce (tracks: 3, 5, 9), Yona Dunsford (tracks: 3, 5, 9)
  • Chorus Master [Choir Master Of The Metro Voice Choir]Jenny O'Grady (tracks: 3, 5, 9)
  • Co-producerFlood (tracks: 3, 5, 6, 7, 9)
  • Contractor [Strings Assisted By]Leila Stacey
  • Contractor [Strings]Isobel Griffiths
  • DesignMat Maitland
  • Double BassMary Scully (tracks: 1, 2, 4, 5, 6, 8, 10), Paddy Lannigan (tracks: 1, 2, 4, 5, 6, 8, 10)
  • Drum Programming [Additional]Max Dingel (tracks: 8), Nick Barr (tracks: 4, 7)
  • Engineer [Additional], Recorded By [Additional]Tim Oliver
  • Engineer [Overdubs]Bill Mims (tracks: 6, 7, 9), Tony Hoffer (tracks: 6, 7, 9)
  • Leader [Strings]Everton Nelson
  • ManagementMidnight To Six Management
  • Mastered ByStephen Marcussen
  • Mixed ByGoldfrapp (tracks: 8), Flood (tracks: 7), Tony Hoffer (tracks: 1 to 6, 9, 10)
  • Mixed By [Additional Stems Mixing]Flood (tracks: 9)
  • Mixed By [Additional]Bill Mims
  • Orchestrated By, Conductor [Strings]Nick Ingman
  • Photography BySerge Leblon
  • Producer [Additional]Flood (tracks: 1,2, 4, 8, 10)
  • Producer, Recorded ByGoldfrapp
  • Programmed By [Additional]Aidan Love (tracks: 2, 8, 10)
  • Recorded By [Strings Assisted By]Stephen Marshall
  • Recorded By [Strings]Jonathan Allen
  • ViolaAndy Parker (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Pitsilides (tracks: 1, 2, 4, 5, 6, 8, 10), Jon Thorne (tracks: 1, 2, 4, 5, 6, 8, 10), Katie Wilkinson (tracks: 1, 2, 4, 5, 6, 8, 10), Peter Lale (tracks: 1, 2, 4, 5, 6, 8, 10)
  • ViolinAlexander Balenescu (tracks: 1, 2, 4, 5, 6, 8, 10), Ann Morfee (tracks: 1, 2, 4, 5, 6, 8, 10), Boguslaw Kostecki (tracks: 1, 2, 4, 5, 6, 8, 10), Cathy Thompson (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Clad (tracks: 1, 2, 4, 5, 6, 8, 10), Chris Tombling (tracks: 1, 2, 4, 5, 6, 8, 10), Debbie Widdup (tracks: 1, 2, 4, 5, 6, 8, 10), Dermot Crehan (tracks: 1, 2, 4, 5, 6, 8, 10), Everton Nelson (tracks: 1, 2, 4, 5, 6, 8, 10), Jackie Shave (tracks: 1, 2, 4, 5, 6, 8, 10), Jonathan Rees (tracks: 1, 2, 4, 5, 6, 8, 10), Mark Berrow (tracks: 1, 2, 4, 5, 6, 8, 10), Patrick Kiernan (tracks: 1, 2, 4, 5, 6, 8, 10), Sonia Slany (tracks: 1, 2, 4, 5, 6, 8, 10), Stephen Morris (tracks: 1, 2, 4, 5, 6, 8, 10), Tom Pigott-Smith (tracks: 1, 2, 4, 5, 6, 8, 10)
  • Written-ByGoldfrapp, Gregory

Barcodes

  • Barcode: 724596938126
  • Matrix / Runout: 70966AM-01 9381-2 121407-
  • Mould SID Code (Variant 1): IFPI ZN1C
  • Mould SID Code (Variant 2): IFPI ZN1K
  • Other (Additional Mould Data): MCOM

Unternehmen

  • Phonographic Copyright (p) – Mute Corporation
  • Copyright (c) – Mute Corporation
  • Published By – Warner Chappell Music Ltd.
  • Mixed At – Sunset Sound
  • Overdubbed At – Sunset Sound
  • Recorded At – Abbey Road Studios
  • Mastered At – Marcussen Mastering
  • Designed At – Big Active
  • Pressed By – MCOM

Video

Album

It was named after a dream Alison Goldfrapp had about a very large tree. Recorded with longtime collaborator Will Gregory out in rural Somerset, Seventh Tree feels like an attempt to fuse the pagan folk of cult English horror classic The Wicker Man to a lush backdrop of woozy electronics and a restrained orchestral sweep reminiscent of '70s. Seventh Tree by Goldfrapp CD, Feb-2008, EMI. 10 tracks 41:40. Clowns, 04:08. rub p&p. Goldfrapp have described the album as a sensual counterpoint to the glitterball glamour of Supernature, their last studio album from 2005. Where the lush, Portishead-without-beats Felt Mountain saw the band on the cusp of stardom at a time when British music didn't really know what the hell it was doing, the defiant electroclash of Black Cherry seemed like little less than a blatant attempt to sabotage their careers, annoy their fans, and remain a decidedly cult act. Seventh Tree unveils an Alison Goldfrapp quite different to the one we saw on her career highpoint to date, 2005's Supernature. Whereas that album was grandiose, glammy, and almost aggressive in its brash, thrusting sexuality, Goldfrapp's fourth album is no less sensual, but rather more subtle in its approach. Where the lush, Portishead-without-beats Felt Mountain saw the band on the cusp of stardom at a time when British music didn't really know what the hell it was doing, the defiant electroclash of Black Cherry seemed like little less than a blatant attempt to sabotage their careers, annoy their fans, and remain a decidedly cult act. Whereas that album was grandiose, glammy, and almost aggressive in its brash, thrusting sexuality, Goldfrapp's fourth album is no less sensual, but rather more subtle in its approach. Taking inspiration from paganism and surreal English children's books, Goldfrapp described the album as a sensual counterpoint to the glitterball glamour of Supernature, their previous studio album from 2005. Goldfrapp : Seventh Tree CD 2008 free pp. Released in 2008, the album marked a shift in direction for the duo, out was the heavy, buzzing glam sound of their previous two records, and in were acoustic guitars and harps, with warm sounds inspired by the british countryside and traditional English childrens books. Seventh Tree is the fourth studio album by English electronic duo Goldfrapp, released in the United Kingdom on 25 February 2008 by Mute Records and the day after in the United States. Goldfrapp - Seventh Tree - 2008 pop CD album - VERY GOOD CONDITION. Goldfrapp - Seventh Tree 2008. Little Bird, 04:24. To favorites 7 Download album. Album 2008 12 Songs. GOLDFRAPP Seventh Tree CD 10 Track CDSTUMM2805099951830021 Mute, Mute 2008. Seventh Tree is the fourth studio album by English electronic music duo Goldfrapp, consisting of producers Alison Goldfrapp vocals, synthesizer and Will Gregory synthesizer. Seventh Tree unveils an Alison Goldfrapp quite different to the one we saw on her career highpoint to date, 2005's Supernature. It seems bizarre considering that Seventh Tree is only their fourth album, but Goldfrapp's career has already circled upon itself twice. After spending years on the dancefloor with Black Cherry and Supernature, Goldfrapp take a breather with Seventh Tree. Recorded with longtime collaborator Will Gregory out in rural Somerset, Seventh Tree feels like an attempt to fuse the pagan folk of cult English horror classic The Wicker Man to a lush backdrop of woozy electronics and a restrained orchestral sweep reminiscent of '70s. Goldfrapp - Seventh Tree review: They've gone acoustic, and made their best album yet. Allison Goldfrapp and Will Gregory slow down the beats and break out the acoustic guitars on a set of songs that suggest chilling out in a field during a hazy, watercolor summer this is music for after the party, not after-parties. CD Album - goldfrapp - seventh tree. RUB0 bids. It was released on 22 February 2008 by Mute Records. Goldfrapp - Seventh Tree review: They've gone acoustic, and made their best album yet. About this change in sound, the duo told . It seems bizarre considering that Seventh Tree is only their fourth album, but Goldfrapp's career has already circled upon itself twice. Seventh Tree. Alternative free to Goldfrapp Seventh Tree Clowns, Little Bird and more. Seventh Tree is the fourth studio album by English electronic music duo Goldfrapp. Listen album. Taking inspiration from paganism and surreal English children's books, Goldfrapp described the album as a sensual counterpoint to the glitterball glamour of Supernature, their previous studio album from 2005. Seventh Tree, 2008

Anwenderberichte
MEGA FREEDY
I'll be honest: when I first heard SEVENTH TREE, I thought, 'What the...?' Goldfrapp is nothing but surprising; whereas BLACK CHERRY and SUPERNATURE were both steeped in dance music, SEVENTH TREE finds its roots in English folk-pop. But, with repeated listens, the album grew on me. And now? I think it stands up. Goldfrapp's voice is given a new texture to work with, and on "Clowns," it sounds more ethereal than ever against a backdrop of plucked guitars and pulled strings. The elecctronics are still there, but used much more subtly, like the quiet tweeting on "Little Bird" that quickly turns cosmic. The filters on "Eat Yourself" make it sound like a crackly vinyl dug up from someone's basement somewhere, while "A&E" goes for the bucolic. "Cologne Cerrone Houdini" meanwhile dives headfirst into the 70s with its string sweeps. But there are two things that Goldfrapp excel at, and they're both on this album. The first is pure pop pleasure, and the ridiculously joyous "Happiness" delivers this in spades. The second is melancholy beauty, and "Some People" has this base covered. The SEVENTH TREE continues to grow in my heart.
Pipet
I'll be honest: when I first heard SEVENTH TREE, I thought, 'What the...?' Goldfrapp is nothing but surprising; whereas BLACK CHERRY and SUPERNATURE were both steeped in dance music, SEVENTH TREE finds its roots in English folk-pop. But, with repeated listens, the album grew on me. And now? I think it stands up. Goldfrapp's voice is given a new texture to work with, and on "Clowns," it sounds more ethereal than ever against a backdrop of plucked guitars and pulled strings. The elecctronics are still there, but used much more subtly, like the quiet tweeting on "Little Bird" that quickly turns cosmic. The filters on "Eat Yourself" make it sound like a crackly vinyl dug up from someone's basement somewhere, while "A&E" goes for the bucolic. "Cologne Cerrone Houdini" meanwhile dives headfirst into the 70s with its string sweeps. But there are two things that Goldfrapp excel at, and they're both on this album. The first is pure pop pleasure, and the ridiculously joyous "Happiness" delivers this in spades. The second is melancholy beauty, and "Some People" has this base covered. The SEVENTH TREE continues to grow in my heart.